"Wij moeten niet alleen verdragen dat Ahriman de aarde machinaal heeft gemaakt; nu komt daar nog bij dat de mensen het werk van Ahriman imiteren. Onze taak om Ahrimans inspanningen te vernietigen is al groot genoeg en nu hebben we daar nog al die stoommachines, al die elektrische machines en al die troep bij die ook vernietigd moeten worden."
GA 212. De menselijke ziel in relatie tot wereldevolutie - De menselijke ziel in relatie tot zon en maan
For every initiate knows, and did know, that those Gods they venerated and
communed with in the ancient mysteries — and with whom one can naturally still
commune — those Gods hate nothing so much as, for example, a locomotive or a
motor car. That to them is something dreadful. Those Gods say,
“Not only must we endure that Ahriman has made the earth machinelike: now added to that, human beings are imitating the work of Ahriman. Our task in destroying Ahriman's endeavors is great enough and now we have in addition all these steam engines, all these electric machines and all that trash which has to be destroyed as well.”
GA 212. The Human Soul in Relation to World Evolution — The Human Soul in Relation Sun and Moon
objectively; he is not in the habit of doing so. He is aware of all that which I referred to yesterday as the up-surging waves of instinctive life — urges, cravings and passions — in fact, all emotions in general. But he is little inclined to look at these in an objective way because when he observes himself all that emerges are just these cravings. Through education they often become refined, but it is still instinctive life that wells up. On the other hand, man forms at least some ideas concerning the external world in which he is not personally involved; these ideas therefore have a certain objectivity.
There are many people who do not care for such objective ideas; they prefer to keep to what is subjective and personal. However, modern cultural life brings up in every field such objective concepts concerning external nature and has done so for centuries. These concepts about the world fill man's inner being. Whether it is only a little local paper he reads or one of the Sunday supplements, he is learning, in both, to look at the world according to such concepts. He is not aware that, even from the smallest publication, he absorbs a natural-scientific view of the world, but he does so nonetheless. So it can be said that the only thing that really occupies man today is the external world. I am not saying this in criticism of individuals. It is more a criticism of the age; or, better said, a characterization of the age, for there is no point in criticizing. The whole situation is simply a necessary outcome of the time. People today are so little interested in man as such that it has become a matter of indifference whether a living actor is seen on the stage or a specter on the cinema screen. In reality, it naturally does make a considerable difference. But today there is no deep fundamental feeling for this difference. If there were, then there would also be more concern for the considerable part played by the cinema and similar phenomena in the decline of our civilization.
In a certain sense, it is of particular importance, if our insight is firmly rooted in Anthroposophy, that we accept this modern approach in which, disregarding the inner reality of external nature, we formulate faithful copies of her. Perhaps you are aware of how scientifically scrupulous Anthroposophy does just that, by declining every kind of hypothesis about the phenomena of nature. On the contrary, we remain in our phenomenalism, as it must be termed, strictly within the phenomena themselves — that is, within what nature conveys — and that we allow the phenomena to explain themselves, in the Goethean sense. We do not think into them all kinds of atom-bombardment or atom-splitting and the like, as is usually done nowadays because of the inertia of old habits. When we speak about external nature, on the basis of Anthroposophy, it is essential that we do not hypothetically add anything to what the phenomena themselves reveal.
Modern technology is an example of how not to think anything into the phenomena. It has arisen with the natural- scientific world view in recent times. When we utilize nature's laws in technology we actually create the phenomena ourselves. True, something is left out of account in the phenomena, in electricity, for example, of which the modern researcher says that he uses it, but does not know what it is. He speaks similarly about all nature forces such as heat and light, etc. In other words, there is always an element which is not explained. However, what really matters in technology is that which we want to control. And as it is we ourselves who put everything together in the experiments, we can survey every detail.
Through initiation within the mysteries it was learned that the external world had not originated from the Gods. This was accepted more and more as a fundamental objective truth. The Gods had intended quite a different world.
A particular event had caused man to sink down into a world not at all willed by the Gods. If time allowed, it could be shown that all ideas concerning the fall of man — his expulsion from paradise — stem from the recognition that the world around him is not a world created by the Gods.
Attempts were made to discover the will of the Gods in regard to the world they had not created, and it was realized that what the Gods wanted was the disintegration, the annihilation of that world. This fact, too, the initiates in ancient times had to face. The Gods whom they reached up to revealed that their decision regarding this world was its destruction. Yet the initiates also knew that man, in order to become independent, had at some time to derive his human knowledge precisely from the world which the Gods found ripe for extinction.
In the early Greek mysteries this knowledge was understood in a specific way. There the aim was to interpret the world through art. At that time there was no inkling of a natural-scientific approach such as we have today. Through plastic art and particularly through the Greek tragedy — in fact, through art in general — the aim was to create something through man which, though associated with this world, nevertheless transcended it. The initiated Greek said to himself: The world I see around me with its trees, its springs and so on, all this will disintegrate; however, what from this world has been secreted into a Venus de Milo, a Zeus or Athene, or into the dramas of Sophocles, will surely pass over from the realm of the visible into the invisible. The thoughts which had gone into a work of art would remain and would secure the continuation of the earthly world — which otherwise might disappear completely — even if the earth itself disintegrated.
Already the very early Greeks, at the time when art still proceeded from the mysteries, visualized that the world must be saved through art. For the world, though derived from the Gods, had absorbed a content which the Gods themselves wished destroyed. Certain fundamental facts of science were fully known to the initiates; this can be proved even historically. Certainly we have added much by way of technical construction in the course of recent centuries, particularly the 19th Century. But certain fundamental things which are still operative in technology were well known to the initiates of old. They knew much more than can be derived from what they told others who were not initiated. This knowledge led the initiates in the mysteries to say: If by combining natural forces we simply put together something technically we shall have something in the nature of a machine. We shall be making something which will be destroyed together with that aspect of the earth which the Gods themselves wish annihilated. For every initiate knows, and did know, that those Gods they venerated and communed with in the ancient mysteries — and with whom one can naturally still commune — those Gods hate nothing so much as, for example, a locomotive or a motor car. That to them is something dreadful. Those Gods say, “Not only must we endure that Ahriman has made the earth machinelike: now added to that, human beings are imitating the work of Ahriman. Our task in destroying Ahriman's endeavors is great enough and now we have in addition all these steam engines, all these electric machines and all that trash which has to be destroyed as well.”
“Not only must we endure that Ahriman has made the earth machinelike: now added to that, human beings are imitating the work of Ahriman. Our task in destroying Ahriman's endeavors is great enough and now we have in addition all these steam engines, all these electric machines and all that trash which has to be destroyed as well.”
GA 212. The Human Soul in Relation to World Evolution — The Human Soul in Relation Sun and Moon
objectively; he is not in the habit of doing so. He is aware of all that which I referred to yesterday as the up-surging waves of instinctive life — urges, cravings and passions — in fact, all emotions in general. But he is little inclined to look at these in an objective way because when he observes himself all that emerges are just these cravings. Through education they often become refined, but it is still instinctive life that wells up. On the other hand, man forms at least some ideas concerning the external world in which he is not personally involved; these ideas therefore have a certain objectivity.
There are many people who do not care for such objective ideas; they prefer to keep to what is subjective and personal. However, modern cultural life brings up in every field such objective concepts concerning external nature and has done so for centuries. These concepts about the world fill man's inner being. Whether it is only a little local paper he reads or one of the Sunday supplements, he is learning, in both, to look at the world according to such concepts. He is not aware that, even from the smallest publication, he absorbs a natural-scientific view of the world, but he does so nonetheless. So it can be said that the only thing that really occupies man today is the external world. I am not saying this in criticism of individuals. It is more a criticism of the age; or, better said, a characterization of the age, for there is no point in criticizing. The whole situation is simply a necessary outcome of the time. People today are so little interested in man as such that it has become a matter of indifference whether a living actor is seen on the stage or a specter on the cinema screen. In reality, it naturally does make a considerable difference. But today there is no deep fundamental feeling for this difference. If there were, then there would also be more concern for the considerable part played by the cinema and similar phenomena in the decline of our civilization.
In a certain sense, it is of particular importance, if our insight is firmly rooted in Anthroposophy, that we accept this modern approach in which, disregarding the inner reality of external nature, we formulate faithful copies of her. Perhaps you are aware of how scientifically scrupulous Anthroposophy does just that, by declining every kind of hypothesis about the phenomena of nature. On the contrary, we remain in our phenomenalism, as it must be termed, strictly within the phenomena themselves — that is, within what nature conveys — and that we allow the phenomena to explain themselves, in the Goethean sense. We do not think into them all kinds of atom-bombardment or atom-splitting and the like, as is usually done nowadays because of the inertia of old habits. When we speak about external nature, on the basis of Anthroposophy, it is essential that we do not hypothetically add anything to what the phenomena themselves reveal.
Modern technology is an example of how not to think anything into the phenomena. It has arisen with the natural- scientific world view in recent times. When we utilize nature's laws in technology we actually create the phenomena ourselves. True, something is left out of account in the phenomena, in electricity, for example, of which the modern researcher says that he uses it, but does not know what it is. He speaks similarly about all nature forces such as heat and light, etc. In other words, there is always an element which is not explained. However, what really matters in technology is that which we want to control. And as it is we ourselves who put everything together in the experiments, we can survey every detail.
Through initiation within the mysteries it was learned that the external world had not originated from the Gods. This was accepted more and more as a fundamental objective truth. The Gods had intended quite a different world.
A particular event had caused man to sink down into a world not at all willed by the Gods. If time allowed, it could be shown that all ideas concerning the fall of man — his expulsion from paradise — stem from the recognition that the world around him is not a world created by the Gods.
Attempts were made to discover the will of the Gods in regard to the world they had not created, and it was realized that what the Gods wanted was the disintegration, the annihilation of that world. This fact, too, the initiates in ancient times had to face. The Gods whom they reached up to revealed that their decision regarding this world was its destruction. Yet the initiates also knew that man, in order to become independent, had at some time to derive his human knowledge precisely from the world which the Gods found ripe for extinction.
In the early Greek mysteries this knowledge was understood in a specific way. There the aim was to interpret the world through art. At that time there was no inkling of a natural-scientific approach such as we have today. Through plastic art and particularly through the Greek tragedy — in fact, through art in general — the aim was to create something through man which, though associated with this world, nevertheless transcended it. The initiated Greek said to himself: The world I see around me with its trees, its springs and so on, all this will disintegrate; however, what from this world has been secreted into a Venus de Milo, a Zeus or Athene, or into the dramas of Sophocles, will surely pass over from the realm of the visible into the invisible. The thoughts which had gone into a work of art would remain and would secure the continuation of the earthly world — which otherwise might disappear completely — even if the earth itself disintegrated.
Already the very early Greeks, at the time when art still proceeded from the mysteries, visualized that the world must be saved through art. For the world, though derived from the Gods, had absorbed a content which the Gods themselves wished destroyed. Certain fundamental facts of science were fully known to the initiates; this can be proved even historically. Certainly we have added much by way of technical construction in the course of recent centuries, particularly the 19th Century. But certain fundamental things which are still operative in technology were well known to the initiates of old. They knew much more than can be derived from what they told others who were not initiated. This knowledge led the initiates in the mysteries to say: If by combining natural forces we simply put together something technically we shall have something in the nature of a machine. We shall be making something which will be destroyed together with that aspect of the earth which the Gods themselves wish annihilated. For every initiate knows, and did know, that those Gods they venerated and communed with in the ancient mysteries — and with whom one can naturally still commune — those Gods hate nothing so much as, for example, a locomotive or a motor car. That to them is something dreadful. Those Gods say, “Not only must we endure that Ahriman has made the earth machinelike: now added to that, human beings are imitating the work of Ahriman. Our task in destroying Ahriman's endeavors is great enough and now we have in addition all these steam engines, all these electric machines and all that trash which has to be destroyed as well.”
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